Tag Archives: Wendy Cobourne

Microfiction Monday – 64th Edition

This week’s artwork is “Dandies” by G.J. Mintz

Herman’s Job
by Simon Read

The café is full of middle-aged men lovingly stroking their paunches. The girl enters like a tongue in the ear and everything stops. Thoughts vaporize in outbreaths then crystallize and tumble, tinkling softly onto the stripped pine boards. Herman’s job is to sweep up the thoughts quickly and unobtrusively. He sweeps them into a dustpan. He empties the pan into a box and seals it with a special tape emblazoned with the words “private and confidential”. When he’s finished, Herman puts the box on the secret shelf for “collection”. Herman and the girl leave the café hand in hand.

Dear Antonia
by Wendy Cobourne

I must tell you, the poems are all outside. I left them there… I hear them through my window, exhaling in cool, exquisite blushes. I hear them fondling leaves; I smell them mulchy brown and wet green. Inside poems are humanufactured with the sediment of synthetic ingredients. They are architextured and tend toward right angles. Their luminescence is incandescent, like a margarine sun. I wanted to tell you something important, but like myself boxed inside these walls, my revelation is darkly vaulted. I am musty inside. Dank. My burps taste like basement. I’m sorry. Please love me in absentia.

Scrambling
by Kelsey Maccombs

One minute I’m scrambling eggs and the next I’m crying over the frying pan because I’ve never seen the Grand Canyon. I don’t know if the rocks match the sky when the sun sinks or if shadows descend to shroud the secrets inside. I don’t know how close I can get to the edge. The eggs burn, the smoke alarm shrieks, and I don’t know if my voice would echo back or be swallowed by the silence. I turn off the burner. I’m a state and a half away when I remember I left the egg carton out.

Hair
by Maura Yzmore

Sometimes I cut my own hair. I comb each long, wheat-colored strand; I hold it flat between two fingers, look my mirror image in the eye, and cut. But I always cut too much, by an inch—or five—more than I should. I watch the dead locks fall, without sheen, and curled, like in pain, as I grow lighter. I would love being bald, but that would make me ugly and my life hard. Ugly people cannot be carefree; others force them to battle ugliness. For a bit, when I cut too much, I am both ugly and carefree.

On the Spectrum
by James Dufficy

First they said my brother was dyslexic. Only needed that extra bit of help. But he could tell you the name of every player in the Premier League. He could tell you the name of everyone who ever played in the Premier League. So my mother is dying of breast cancer, and one day she reaches up on top of the refrigerator and pulls down the bottle of champagne. She says, “What the hell!” and starts to open it. My brother turns in his seat and says, “No, you can’t. We’re saving that for when you’re dead.”

Art Imitates Death
by Brooks C Mendell

Racing the sundial, Paulo shaped clay as the Prince loomed behind. The challenge—sculpt the Prince—had three rules. Finish in one day. The Prince decides. Do not look at the Prince. This final rule terrified. As decreed at birth, no citizen could look the King’s heir in the face. Nine artists tried and died, failing the challenge. Paulo glimpsed the Prince’s lengthening shadow, presaging the day’s end. In the shadow, he noticed the shape of the hips and caught a floral scent and thought about princesses.

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