This week’s artwork is “Hourglass Figures” by Julian Cloran.
Once Upon an Apocalypse
by GB Burgess
Grimm Forest had suffered its share of wolves, curses and wicked witches, but we weren’t prepared for a monster invasion. The creatures were small but many.
We fled up beanstalks, but the monsters were master climbers.
We hid in gingerbread cottages. The monsters’ gap-filled grins chewed expertly though sugary walls.
Our best weapons failed. The monsters gagged and recoiled from our poisoned apples.
In the end, there was no escaping. Monsters rushed at us from every direction, giggling madly, their sticky hands groping.
Defeated we little pigs, gingerbread men, orphans, princes and damsels succumbed to the hugs of the children.
A Future Scientist or Psychopath—Not That They Are Mutually Exclusive
by Zebulon Huset
She insisted we bake her mud pies. “They have a secret ingredient.” Ingredients, I’d learn. Each clay cupcake had a secret center of worms or centipede, three stink beetles or a tiny frog. She’d probably smushed it when forming the cake—enough to squeeze the consciousness from its tiny little head, to squish the function from its organs. Too tightly packed to still be alive when the steaming began, I tell myself as I wash my face before bed—desperate to avoid a vicarious nightmare of being baked alive in a wet sarcophagus. A sleeping bag sauna getting hotter and hotter.
by Charles Duffie
Come home late from night school, drop my backpack on the kitchen table, microwave the dinner dad always leaves for me. I sit on my bed with the warm plate in my lap and stare across the narrow hallway. He works early so he should be asleep but light flashes under his door and voices thrum with a machine rhythm like there’s a factory in there, an assembly line where ideas are welded onto his imagination, words blow-torched under his skin. I eat my vegetables, watching my father be remade, then go downstairs and pack his lunch for tomorrow.
The Bell Curve
by Tommy Mack
The bell curve glows on my collar. Like the ones carved on the town hall or above the altar in church. A fair deal: sporting odds. Attached on my retirement by the company. Everyone agreed the population was too old but no one liked the countdown to death. There were protests, suicides. So they made the collars. A trigger designed to execute, not on a prescribed date but with a fixed probability each day, like Russian roulette. At 84, I am an outlier, an object of curiosity to the local children and I can’t decide whether I’m lucky or not.
This week’s artwork is by Julian Cloran
by Sue Powers
Listless, languid, eyelids heavy in empathy, food called out to her, insistent, nagging, moving her to pull out lemon bars, Häagen Dazs, mozzarella cheese, sourdough bread, a leftover vegetable curry and rice entrée now five days old and her secret stash of brownies, and wash it down with a diet cola and her bottle of save-for-an-occasion Riesling. Wiping the last crumb from her chin, she laid her head onto the table, belly painfully extended, bile rising to her throat, and still, had there been any thing left, her emptiness would have devoured it.
If Turkeys Could Talk
by C. F. Carter
When you approach her house and I try to warn you, you hear only warbles and honks.
You ignore me when I bend my wing towards the barn, where cars rust in the darkness.
When I try to lead you to the well where badges soak in its cold depths, you push me aside with a shiny jackboot.
Like a strutting tom, you ring the bell, and a heartbeat later she shoos you off the porch.
She scatters cracked corn in the yard, while you beat your wings and kick up dust, erasing what I’d scratched in the ground: witch.
by Mir-Yashar Seyedbagheri
She asked her son to take her to the liquor store. Again. She hated the look in his eyes, eager to please. As if this could patch everything together. She always lost her temper, passed out. Her career as a pianist had fallen flat. She felt a mélange of anxiety and rage, the sense of something valuable taken. “I’ll take you,” he said. She felt gratitude. Anger. She wanted him to resist and oblige. She wanted him to take her, she wanted him to hide the keys. She wanted him to leave. Run fast. “Let’s go,” was all she said.
by Daryl Scroggins
Don’t go, she thought, her face pressed to the door she had closed against him. She imagined him walking down toward the road, his new car by the mailbox. She saw herself opening the door—saw him turning to her, unable to go on, starting back.
But she didn’t open the door. She went to the kitchen and got ice for her eye. Poured herself a glass of water. She saw, then, the brown bag of tomatoes she had selected for him from her garden. But when she glanced through the peephole again, everything just looked round, like a road.
What is Death Like?
by Xavier Barzey
A German cockroach lay stiff on its back as its mesothoracic legs flickered in slow motion on the front porch. “What is death like?” she asks intently with an innocent gleam in her little eye. I looked at her, uncertain of what to say. I reflected for a moment, “uh… well, I suppose it may hurt at first, but then you begin to transcend beyond the present and soon you’ll feel nothing.” Perplexed, she cupped her hands around the roach and stroked it softly on its back. It lay rigid. “There,” she says. “He’s okay now.”