Tag Archives: Jennifer L Freed

Microfiction Monday – 49th Edition


Hear a Fly Buzz
by Rachel Oestreich

Hear a fly buzz. Trapped on a windowsill—the forgotten kind, where moths decay into ash beneath sun-faded pillows—bulbous body and silver-veined wings smash against thick-paned glass. Broken drones eclipse into silence, seconds—maybe minutes—and many dust motes float unhindered until the fly cracks its body against the glass again. Look the other way.

by Clem Fandango

“So how was your day?’”
She rolled her eyes up to the ceiling, looking for unexpected ways to frame the expected. “Jenny wasn’t in so I had to pick up her work… You don’t realize how much someone is needed until they’re gone.”
“Absolutely right. The other day I—” He recounted a similar story with the enthusiastic eyebrows of someone pretending like this was conversational new-ground.
She listened with the nods and smiles of someone pretending they weren’t bored.
The dialogue trailed off, soft laughter and softer smiles concealing the shared feeling that they might die like this.

by Rudy Koshar

He puts the water on, drops in two large brown eggs from the co-op, organic, free-range, opens his digital edition of the Times, reads that wildfires are devastating a part of the San Gabriel Valley and Britain has left the European Union, he hears the water boiling, there was a bloody riot in a private prison in Texas, of course, and oh, the plight of Syrian refugees, then he remembers he forgot to set the timer, takes the eggs off, submerges them in cold water, cracks one open, and damn, it’s undercooked.

by Jennifer L. Freed

Now that Grandpa’s gone, Grandma’s coming to live here. She’ll use my room, and I’ll share with Connor. Connor says I’m a freak and he’ll make me sleep under the bed with the monsters, and if I tell he’ll lock me in his closet all night instead of only before school. He knows the Voice lives in the closet. The Voice is worse than monsters. It says, eat only brown food today. Pee twice in my pants. Collect red pills from the medicine cabinet. Give Grandpa those pills, not the white ones Grandma put in my palm to bring him.

Entropy Explained
by Kenny A. Chaffin

The goose on the gurney was rushed once more into the operating room. Another golden egg had to be surgically removed from its rectum. Technically of course it’s not a rectum, it’s a cloaca, but that isn’t the point. It was actually a production problem. The heavy-metal food, the purified water, and the trips to the emergency room were quite expensive. It was a losing proposition. Impossible to win, much less break even. Realizing this, the owner felt fortunate to foist the fowl off on a farmer’s son, a young boy named Jack who happened by that very same day.

Microfiction Monday – 46th Edition

This week’s artwork is “Altar” by Madeleine Barnes



by Alex Creece

Rigor mortis at reception desk. Groundhog Day in grindhouse fashion. Vulcanised flesh raises no unexpectdead questions. Demands are bleated above the sound of viscous, visceral humours bubbling in a guttural cauldron – toxicity within a casket of taxidermy. Hooks of obligation pull the corners of my mouth into a gruesome smile, pull my eyes open to groping, grappling, griping zombies. Shame oozes up my throat from somewhere I knew well but could not specifically pinpoint. It solidifies upon my epiglottis. I cannot breathe through it. I cannot swallow it. Something trickles down my neck, my spine. The undead just keep bleating.

Plato’s Cave
by Jennifer L Freed

In the dream, it is your birthday, but there’s no cake. You are afraid. Your doctor has just told you something urgent, but you’ve forgotten what it is. You hide in a cave, feel safe there, warm. Shadows flicker, reminding you of candlelight. When you half-wake in the darkness, you remember nothing, yet think briefly of your doctor. You’ve found a tiny lump at the base of your skull. You slide deeper beneath your blankets, drift off again, dream of chocolate cake.

Change in my Pocket
by Kenny A. Chaffin

Sick of our constant fights I fled to Safeway for beer. The translucent red cube was there when I pulled change from my pocket to pay the cashier. I stopped, entranced by its billions of tiny blinking specks deep inside. An entire universe of swirling galaxies and stars full of possibility. “Seventeen ninety-five!” he said. Back home I held the cube out to her. “Look at it dammit! Look at it!” She rolled her eyes. I pushed it under her nose. “Look!” I said, touching it, tapping one, two, three times, and she was gone as if she’d never been.

Old Tongues
by Michael Shattuck

When I was a child, I spoke as a child, thought as one. As an adult, I took that child out, past the woodshed, to the marketplace and ordered it to work for me. I spend its pay on what helps me forget the woodshed and the marketplace, which invents newer and more elaborate childish things. Now I speak into a prophecy mirror; no thought is unknowable, no time beyond understanding. That child says it wants its own child. It too will send me its pay or I will set a time to take us all out behind the woodshed.

by Laurie Stone

At camp we rode horses to a general store. That’s where I saw the yellow haired children on a splintery porch. Their clothes were ragged, their teeth blackened to little daggers from drinking Cokes, their elbows scabbed. They stared at the coins and bills we tossed lightly on the counter. Corkscrew rolls of flypaper hung from naked rafters, thickly coated with buzzing flies. The pale, blond children faded into the heat. Their orange kittens were too languid to squirm away. I did not speak to the children. The screen door banged each time we flew in or out.

by Ima Ocon

She told me to twine my hair around the chopsticks, praising its silky length, never looking closely enough to notice black blending into dark brown. Her glasses were gone. She had no need for them, even when she was stumbling over her clogs and we had to rush to her side because a hip surgery would kill her the moment they cut her skin open. Sometimes she sang, incomprehensible: I could not bear being taught its syllables, or her refusal at my refusal. I pick up rice in between the chopsticks, and my hair at full hardly grazes my shoulders.