This week’s artwork is by Kyle Hemmings.
Tired of Jewels
by Justin Willoughby
He was tired of her holding his hand while he drove. So he bound bracelets on her wrists. He was tired of her foot on the dashboard blocking his view. So he tied anklets around her feet. He was tired of her asking if they were lost. So he shoved a tongue ring in her mouth. He was tired of hearing her muffled voice in his ears. So he wrapped a locket around her neck. He dug a bed for her and tossed Jewels in with a dirt blanket. He was not tired anymore. So he left her to sleep.
by Brittanie Drinosky
John’s hands were huge and hard. They were used to fight, to crush, and to feed his dog, Penny, who was almost as mean and ugly as him. She howled all night, that dog, and Tim’s mama would open her window and yell curses and make threats. When John found Penny with a screwdriver through her eyeball, he didn’t make no threats. He howled all night.
by Richard Jennis
I miss the taste of you in the early morning. I miss dangling from the rooftops like turtles flipped over on railroads, staring unsuspectingly at tropical skies. I miss watching the passersby pass by. And the fluteman whistling tunes with notes that curled into the air forming tunnels so black. I miss the way the dandelions lingered years after we breathed them into multiplicity. Coming home is like the moon landing. I plant my flag but all this was never mine. I know my memory will soon be bleached white by lurid winds that don’t understand the meaning of nostalgia.
In The Beginning
by J.G. McClure
In The Beginning the warrior and the dragon are fighting. Rip off one dragonhead and another dragon buds from it. Same goes for warrior heads. Soon the world is one roiling sea of tearing and birth. The gods, horrified, shatter it with lightning—a new world sprouts from each rocky chunk. They argue ethics, and in their rage start blasting one another; more and more gods bloom. Weeping and laughter fill the abyss. The universe grows and breaks and grows and breaks and all is born: love, cigarettes, the post office. The melon we’re eating. The seeds we spit out.
by Heather Valenti
Living in a hole dug sixty feet in the ground, within an endless cavern, gets to you. Not in the, oh well, isn’t that interesting, sort of way… more, nails uselessly clawing stone, you’re going to die and you know it sort of way. “My husband will come for me, you know,” Ethel whispered. He imagined her hands digging into her head, her graying hair being tugged mercilessly, as she said this. Her chains clanked as she readjusted herself. He tried to make his voice sound confident. Reassuring. “I know.” Chains rattled. Numbering the lies they told each other.
by David Galef
At a one-woman show in a downtown gallery, I saw a dozen sculptures of women with Buddha bellies, arms big as thighs, thighs thick as waists. Intrigued, I tracked down the sculptor to see what she looked like. She was completely ordinary, regulation size, and seemed expectant yet annoyed at my curiosity about her. “I know your type,” she said as she shut the door against me. “Get a life!” I stood there for a moment, unsure of what to do. Back at the gallery, I bought her entire catalogue.
by Ashlie Allen
I took a walk around the reservation to get in touch with my land. It had been two years since my feet touched the earth. On my way down the road, I saw an old friend and said hello. He told me he’d been dead a week now. When I asked where he was buried he answered he wasn’t.
The Man and the Strangler
by Matthew Konkel
His throat was dry so he hired a strangler to choke him.
Before the man died the strangler asked: you are surrounded by water, why did you not have a drink?
There is too much, said the man, I couldn’t possibly drink it all.
Having pity, the strangler helped the man dispose of the water until only a tiny swallow remained. Now you can take a drink, said the strangler. The man did so and his throat was no longer dry.
Then the strangler choked the man dead. Because that’s what the strangler was paid to do.
Microfiction Monday has been going strong for 28 weeks and we couldn’t be more proud of the authors we’ve had the honor of publishing! But due to time constraints and a desire to maintain a high quality standard in our publication, Microfiction Monday Magazine is announcing that we are changing our publication frequency from weekly to monthly. Future editions of the magazine will be published on the first Monday of each month. Each publication will include a minimum of five stories, but more if we receive a significant number of high-quality submissions.
So please keep sending those submissions in! We love reading your work! And look for our next edition on January 5th!
Special thanks to Jessica Standifird for her editorial assistance. This week’s artwork is by Amy Canales.
Strangers in the Night
by Mir-Yashar Seyedbagheri
Mama disappears into a Plymouth. This isn’t the first time. There was that time she left for three days. She’d come back, happy, singing to him at bedtime, making him cocoa. The world was his. He goes into her bedroom, with the scent of lavender, mixed with something skunk-like. It’s empty. The suitcase, Sinatra records, her Tolstoy. He doesn’t know where to go. He’s not sure if he should chase her, or wait. That’s when he sees the note, tucked behind her desk, where they used to hide secrets. Mama’s unhappy. She needs to find herself. Water the plants.
by Bart Van Goethem
They had assured him if you close a door behind you, another one will open. When he did so, nothing happened. In the pitch black he groped for a handle. None. He groped for a wall. None. After a while he screamed, and then he screamed some more. He started punching air. Until the black shifted to a shade of dark unfathomable to a living, breathing man. A split-second later, he opened his eyes, squinting against a white light. ‘Welcome,’ they said. ‘We are Soul Catchers.’ It wasn’t what he had expected, but at least they hadn’t lied to him.
Cat in a Box
by Shinea Brighton
I’m trying to decide if you love me. I take measurements: how often you call, how long we talk, how often you break dates. Two recently. You never say, “I’ll call you later.” or “We’ll reschedule for next week.” Instead it’s, “How about Wednesday?”
Sometimes you hold my hand. Sometimes you are distracted and lonely. You go days without kissing me then you won’t stop long enough for me to eat.
It’s complicated. Are you a wave or a particle? Are we decaying at a predictable rate? I’m hungry and I can’t tell if you are feeding or poisoning me.
by Jessica Standifird
He was an old house in need of a good contractor. Ever since she’d convinced him he was dilapidated, the ink from his tattoos had flecked, faded. His foundation had cracked and his gait was now unsteady. She would roll her eyes and accuse his front porch of sagging. And if eyes were windows to the soul, well, no wonder she complained. The glass was old and warped, the panes full of drafts. It was cold inside. Maybe all he needed was a real estate agent who could spot potential. He wondered if Carrie at Remax would be interested.
by Jonathan Oak
Normally I hear the engine halfway down the street as a subtle change in the background noise, but the sound was too loud. Normally I see a glint from your bumper or your windshield. I missed it this time. Sometimes you call ahead to says how good it’ll be to be home. When all this fails, the dog, keen senses attuned to your arrivals, perks up her ears, springs to attention, whines at the door, peeks through the curtains. She just laid there. So when you came through the front door… lesbians going at it on the computer screen.
Special thanks to Jessica Standifird for her editorial assistance. This week’s artwork is by Rachel Warren.
by Rachel Warren
One day I saw a fish with red lips, dragged the creature from the water, puckered up and kissed it. It turned into a woman so beautiful, she stole my breath, and I gasped and gasped but could not get enough air. She picked me up and threw me in the water where I grew gills and fins and scales and ate minnows until enticed by a squirming worm on a hook. Against my better judgment, I went for a bite, and was ripped from the water, falling ashore, gasping again. And it was her there with the fishing rod.
by Lisa M. Moore
Alaina’s father brought home a bear cub when she was three, saying it no longer had a mother. Alaina named the bear Chocolate Milk. He followed her around like a loyal dog, cleaned up food she spilled on the floor, served as a pillow when she napped. Chocolate Milk took such good care of Alaina, that the child didn’t notice her parents’ disappearance until days later when the police came to her door with sad news of how their bodies were found in the neighbor’s yard, mauled to death by a bear.
The Tree Girl
by Tomas Hendry
He cultivated the tree from the time it was a sapling, training each new twig until it took her shape. Finally the tree stood tall, its legs twisted together, arms straight out, leafed fingers pointed skyward. A great bouquet sprouted from behind the twisted twigs that gave shape to eyes, nose, mouth. She smiled. She was ready. He felled her with an axe, spread her twisted legs, and planted his own seed deep within her as she shrieked. He bathed her feet in water as the child grew. Nine months later it emerged, covered in blood-soaked moss, green and shaking.
by Daryl Bailey
A crimson trail trickles from my nose, crawls over my lips, and drips off my chin into the sink. I plug the sink to see just how much I’m losing and soon there’s an inch of thick, red liquid. A pounding headache gives way to bits of rubbery, gray brain matter falling out with the flow. In the mirror I see my skull collapsing. Bits of bone come out next. Then I watch as my eyes sink back into their sockets. Everything becomes a swirling red storm until I’m in the sink, staring up at the ceiling.
by Jerry Nunez
“That’s one ugly child,” said Myrtle, holding the photo of Eustace’s first great grand baby.
“You blind as a bat, woman,” said Eustace, snatching the photo back. “You wouldn’t know about it anyway. Your uterus done shriveled up like a prune before you could get any man to look at you.”
“Let me see that picture,” said Pearl.
“Now you tell me that child ain’t gorgeous,” said Eustace.
“It ain’t gorgeous,” said Pearl, wincing. “That child’s a dog.”
“Girl, it’s got floppy ears and fur. They sent a picture of their new puppy. Didn’t you read the back?”
Special thanks to Jessica Standifird for her editorial assistance. This week’s artwork is by Kate Salvi.
Leaving on a Ghost Train
by Mir-Yashar Seyedbagheri
The ghost train came to take me, the night after the dead took over. It came through the kitchen, blinding my sister and me with its melting light.
“Bugger off,” Margaret said, wrapping an arm around me. “You can’t have him.”
“All twelve-year olds work for the dead,” the train said in a Yorkshire accent. “They’re the most fit to serve the new order.”
“I’m not going,” I said. “Take the neighbors.”
The train plunged into my sister, wheels grinding up strands of red hair, eyes, spinning like hypnotic Ferris wheels. She waved and smiled, her smile turning to crinkled stardust, falling away.
by Joey To
Jane slipped her shoes off, then glanced at the longcase clock and sighed: 10 p.m. and unsurprisingly quiet. She dragged her feet into the dark lounge room, then froze. The glowing spiral staircase was lined with little candles all the way up. Red petals were scattered all over. Jane’s lips curled a little as she sprung up the first steps… “Honey?” Silence. But she continued her ascent. “Mike?” No answer. Jane paused… then padded up the last steps—”Mike, you alright?”—and dimly saw a snoring mass, her husband with his arms around another: it was Kayla, their 150-pound Rottweiler.
by Rachel Tanner
Her cleavage is visible, respectable, nothing she wouldn’t wear to college. An unknown guy grabs her arms, holds her in place. Another stands in front, licks his lips, caresses her face. “What about me?” he says as he slips his hand inside the top of her dress, clutching firmly. In this room full of people, he brings her breast out into plain sight. Plays with it. She tries to escape; she’s held back. Finally she’s freed as his hand reaches for more. She runs outside into the street, grabbing for her phone. Grabbing for anything to make her feel safe.
by Cheyenne Marco
You’re a lifeguard. Up at four for work at six, spending the extra hour scouring the house for hidden six packs, pouring what you find down the drain. Then it’s off to work to break the back that was healed by luck after that car crash forty years ago. Home at five. She’s flooded with Coors. From where? From who? You remember her standing by your hospital bed, holding your hand when you thought you’d never walk again. You want her back. But you stare in the depths of those eyes, and you know that that woman has drowned.
by Joanne Hayle
He’s smacking his lips together over a glass of red wine. He claims that his reluctance to go out is proof of his contentment and that “home is where the heart is.” Satisfied, he sprawls on the sofa night after night. He’s haphazardly flicking through TV channels, doesn’t bother to wave as I leave for my salsa class. He knows that I’d rather dance with him. We used to enjoy and explore life together. I can’t tempt him out anywhere these days. When I return he’ll be snoring, inexplicably exhausted. He’s not dynamic enough to have an affair, is he?
Special thanks to Jessica Standifird for her editorial assistance.
Altercation in the Garden
by Neil Harrison
In the sudden silence, the rich perfumes of roses, peonies, and myriad flowering trees scent the spring breeze. A moment later, the chorus begins again—robin, blue jay, chattering squirrel. On his knees now, on the brick walk lined with daisies, a middle-aged man stares down at the fat drops blooming red between great flowering lilies on the pond, his mirrored image leaning slowly toward the water, the reflection of her face, amazed and puzzled, as she considers her next move.
by Clay Greysteel
They sat across from each other at the dining room table, him extolling the virtues of the carefully worded divorce papers, her with a knife, carving a paperback book from his collection. Though he gritted his teeth at her defiling his things, he refused to give her the satisfaction of a reaction. He just kept pointing out who got what property and how the finances would be divided.
“Are you even listening,” he said.
She lifted her head and held up the book, which she had carved into a pistol. She pointed dead center of his forehead. “Bang, bang.”
Easy for a Monday Morning
by Dwayne D. Hayes
You might guess the scrambled eggs would be too runny, toast a bit soggy, bacon burnt, or the coffee too strong. But no. Everything was fine, if not perfect. No complaints. He glanced around the cafe. Two teenage girls at another table stared at iPhones. A couple sat silently sipping coffee. Several older men congregated at the counter, arguing over last night’s ballgame. All normal. The world was surprisingly normal and everything seemed too easy for everyone—too easy for the judge who’d ended the marriage with few words and the scratch of a pen in the courtroom that morning.
by Jim O’Loughlin
He was only a ghost in the technical sense of the term, in that he was dead and haunting the Earth. Most of the time he thought of himself as a commuter, like countless other souls taking the train in and out of the city each day. He read the paper, preferred window seats, and glared at passengers who spoke too loudly on cell phones. When it was busy, he would always give up his seat for an older passenger, and when it was especially crowded, he would melt into the walls.
by Joey To
“I could use a hamburger,” muttered Kate. Like her nineteen colleagues, she was soaked. And tired. The rain was a barrage of cold punches.
Tom sighed. “Yeah, don’t we wish.” He gazed at the cliff wall ahead and pointed. “Look, a cave. Let’s camp there.”
The team rushed into the black hollow.
“Someone get a fire going,” yelled Kate as a deep growl reverbed through the walls. It didn’t sound familiar.
All heads turned. Eyes squinted. Rifle safeties were released. Silence… then a quadrupedal giant emerged from the depths.
Tom gasped. “We’ve found it! It’s real!”
And it tasted awesome.
Special thanks to Jessica Standifird for her editorial assistance. This week’s artwork by Joseph Pravda.
The Night of a Thousand Heads
by Mir-Yashar Seyedbagheri
The pileup of heads began at sunset. By midnight, the streets were full of them, silhouetted by moonlit shadows. We’d begged the narrator to stop it, but he couldn’t. He’d shed his trench coat and fedora, told us he was through with the job. He was sorry and tired. We gathered in droves, laughing spectators, without sympathy for the dead. That’s when we saw the narrator on the hillside, holding his wife’s head. He pulled back like an expert bowler, sending her flying, her dead momentum rushing past us, weighing us down in our laughter. “You fuckers,” he said.
by Callum Davies
No stubble. Four days have gone by now and still no stubble. Every time I look out of the window it’s the same clouds. The hot water isn’t working and there’s no food in the fridge. No cars ever come past. The birds don’t sing. I can’t leave. I don’t know what’s out there anymore. The belt is still tied to the doorknob where I left it. Perhaps I am, too.
The Royal Wedding
by Dan Campbell
Before the wedding, there were the usual preparations. The princess tried on wedding dresses and the royal maids dusted and mopped night and day. The royal secret service positioned snipers and checked for bombs in the church and mines in the street. The royal police trained in crowd control while the royal army stationed tanks in strategic locations and filled the sky with drones. Meanwhile the prince, who was just a frog the week before, remembered his friends who croaked in the night, and he wept when the princess ordered the royal environmental agency to drain his frog-days pond.
by Merrill Sunderland
She is the kind of bald skinheads only dream of. Her skin became pale after one night in the hospital. As a sheet. She wears a blue-speckled gown called a johnny that covers little and flails open without aid or consent. She can only sleep when she dreams of her two little boys, four and eight, thank god for small favors. Her arms grow tubes fastened in place by wads of tape that wrap and wrap around her. There’s no skin to be seen. When she’s finally unveiled, de-tubed and sent home, her boys will hug her nearly to death.
You’ll Thank Me Later
by Cerise S. Carter
Smile until it sticks, my girl. I made you breakfast in bed when you were sick, remember? That hole punched in the wall was a mistake. I cry tears of remorse for you. I tell you we should go camping, and it will be romantic. Share that Facebook status; tell your friends, dear. I only spent all of our money on guns because I need a collection to feel whole. I am an aficionado, remember? How could you love me and not want me whole? You are safe with me, love. I give you the world. The one I made.
Special thanks to Jessica Standifird for her editorial assistance. This week’s artwork is by Tobias Oggenfuss.
Fistfighting Etiquette for Girls
by Sue Ann Connaughton
You’re allowed to fistfight another girl if she says “Hi” to your boyfriend, calls you stuck-up, or smirks at you disrespectfully. Do not arm yourself with weapons, including rocks, sticks, and sharpened fingernails. Do not kick, bite, scratch, or pull hair. You may slap, punch, and arm twist. However, you may not strike her face or groin area. Do not cry. Shake hands with your opponent after grownups stop the fistfight. Laugh, when your mother cries while bandaging your bloody knuckles. Never fistfight again. Never mention it to your husband and children. Cry when you see your daughter’s bloody knuckles.
by Arthur Plotnik
“Mommy—you complete me,” Eric said as Linda drove him to pre-school.
“Why thank you! But where’d you hear that?”
“The wall, at naptime.”
“Funny wall,” Linda said, though it seemed less funny following his wall quote yesterday: “I’ve never felt so alive.” She’d blamed television, forgotten about it on seeing husband Gary, whose law work overlapped her hospital shifts. Mrs. Fosset, part-time nanny, fetched and fed Eric. “Sweetheart, does Mrs. Fosset have you nap after daddy gets home?”
“Sometimes.” Then, a giggle. “Silly wall! Nobody wants that.”
He used his moo-cow voice: “I want you in me.”
The Old Woman
by Kyle Hemmings
I loved exploring the abandoned house near a burn-out field. The stairs creaked and the empty rooms whispered. One day I heard a woman’s voice from the top floor. She was smiling in her rocking chair. Her hair was covered with cobwebs. Bees buzzed around her ears. “I’ve been waiting to see you,” she said, staring straight at me. She mumbled that I was her lost son. I ran. Out of curiosity, I returned. She took off her head and clothes. She was nothing but a voice.
by Brad Nelms
She came to check on him. She clicked the handcuffs closer to his skeletal wrists. Steel biting into ragged flesh. He stirred, a dry rattle creeping its way out of his throat. “Hush dear…Shhh…” She cooed. Stroking his thin, damp hair and bringing her mouth close to his ear, she whispered, “Save your strength, it will not be much longer. We need you to be empty so the Lord can fill you up. The stars are almost right.” Her eyes drifted over his gaunt form, bones were fighting to push out through sagging skin. “Soon,” she smiled. “Very Soon.”
How Did I Feel?
by Bertram Allan Mullin
My flesh fell off on its own. I couldn’t see, but I could taste and smell. My limbs were soft tissue. Somehow my ankle broke. I began to drag it everywhere I went. The only word I could say was, “Grawrr,” which was debatably not even a word. Then my right eye up and fell from its socket. The others pointed and cackled. Got hard to think about all of that, though, because I was hungry all the time. Endless cravings for blood, living skin, and of course brains.
Special thanks to Jessica Standifird for her editorial assistance. This week’s artwork is by Louis Staeble.
The Fear Bomb
by Jonathan Oak
When the fear bomb hit the city, everyone around Samuel was at first frozen with fear and then ecstatic with it, running blind with terror. But Samuel had been afraid for so long he hadn’t noticed a difference. He just continued taking calls. Though he did feel, unaccountably, less alone.
by Connor Powell
Poor boy. She’d caught him in her vegetable patch, kicking her prized pumpkins. She brought him in and made him stop moving. As each day passed he changed. Slowly, his head began to bloat. Finally the day came where she took him outside. It’d taken her three days to dig the hole, right in the centre of the vegetable patch. She dropped him in, and filled the hole with soil, leaving only his bulbous orange head above ground. Thick green vines spouted from the top of the child’s head, engorged by her tender care. She always grew the best pumpkins.
by John C. Mannone
Rain obscured the caution sign, but he kept speeding, maybe thinking about his girlfriend. He should’ve kept his eyes on the highway, not the box of roses on the seat for his date. Now, someone else’s red rose, stem and thorn, had been cut short. Her umbrella lay broken on the ground.
It’s Not Insomnia
by Anne Pem
Still scared in your boots there, kid? Wonderin’ why your fingers keep drippin’ red? Why you ain’t slept in days, Marty? It’s not insomnia. You wonderin’ why nothing seems real no more, boy? It’s cus it ain’t. No, you did not wrestle that gun from your daddy, hold it in your trembling hands, and point it right between his scared eyes like you planned. It was not your finger that pulled the trigger on him. You were too slow again. It ain’t daddy’s ghost keepin’ you up nights, kid. It’s you who’s haunting him.
I Bring Her Diamonds. My Hands are Full of Them
by Eric Robert Nolan
I bring her diamonds. My hands are full of them.
“Please,” she sobs heavily, “stop coming back.”
I had no money for diamonds, once.
When my car crashed, the exploding windshield sent diamonds rushing deep into me – my eyes, my throat – my hands – all shining in the moonlight. The pain was overwhelming. And then it stopped. And all I could think was I finally had something to give her.
Every full moon I come to her porch at midnight, to show her how they shine in my open hands. But every time she only holds her head and cries.
Special thanks to Jessica Standifird for her editorial assistance. This week’s artwork is by Marc D. Regan.
Free at Last
by Marc D. Regan
Newman heard it again, the steady slap-slap-slapping footfalls that only stopped when his did. That bloodthirsty kid. Down sidewalks, corridors, inside Newman’s flat, this desperate young stalker followed—for years. The kid was forever eighteen, unkempt, angry. Newman had aged from thirty to forty.
“No,” Newman screamed. “It’s over!”
Hunting knife seized, he dashed outside. Footsteps echoed. Newman spun, blade slashing, gouging eyes, ears. Newman collapsed, blind and deaf. Alone. Hot blood pulsed onto the pavement. The kid was gone. At last.
Newman saw himself thirty again, stomping on the brakes too late as the kid crossed the street.
Girl’s Best Friend
by Eric Robert Nolan
I’ve been trying to kill that damn dog for over a week. It’s loyal to a fault. It digs.
It’s a mutt. A dumb one. Mid-sized, with mottled brown and white fur. Nothing to distinguish it except for an unusually vacant expression.
And it digs.
Fiona used to call it “Skipper.”
I was questioned in the disappearance of my eight-year-old daughter, but never really suspected in it.
It brought me Fiona’s femur yesterday, panting and wide-eyed. Right to the back door. My hammer missed its skull by inches.
It returns to that narrow space behind the shed. And it digs.
Discarded but Not Gone
by Peggy Christie
It had been months since they left her here to die. Did they think it would be that easy? The ceiling crumbled and drywall dust coated her porcelain face. Her glass eyes, unaffected by the swirling debris of the collapsing home, could see the bulldozer as it crawled toward the main support beam. When the entire structure finally fell, bringing two stories of mortar, brick, glass, and metal down on top of her, the doll body would shatter, and she would be free.
by Edward Vaughn
My sweet Jezebelle begins to cry as I lay her in the center of the pentagram. She knows what is happening, I think. From my underwear drawer I pull the knife I snuck from Grandmother’s kitchen. I kneel before my baby. She lay on her back, helpless. I cut her. I cut myself. The wood inside the pentagram drinks our blood. A crack in the air like thunder and I see him in the shadows. The horn-headed man. “Jezebelle,” I say. She stops crying and smiles. “Daddy’s home.”
by Jessica Standifird
“Bloody handprints are so cliché, you got anything better than that?” Tess smirked at the sticky handprint on her sheet.
There was a groan from the attic.
“Really?” she sighed, “You gonna’ rattle some chains, now, too?”
A chill shook her body. From the gelatinous mess pooled on the bed between her legs a child’s voice reached up, “No, Mommy, but you could have been less predictable, yourself.”
Her husband lifted her gently, whispered in her ear, “Come on, hon. I’m taking you to the hospital.”